{"id":2651,"date":"2025-08-22T18:11:00","date_gmt":"2025-08-22T16:11:00","guid":{"rendered":"https:\/\/www.albicastroensemble.com\/concerti\/echoes-of-arcadia-rome\/"},"modified":"2026-02-09T16:54:44","modified_gmt":"2026-02-09T15:54:44","slug":"echoes-of-arcadia-rome","status":"publish","type":"concerti","link":"https:\/\/www.albicastroensemble.com\/en\/concerts\/echoes-of-arcadia-rome\/","title":{"rendered":"Echoes of Arcadia – Rome"},"content":{"rendered":"\n

The Albicastro Ensemble Suisse will return to perform at the magnificent Carthusian Chapel of the Basilica of St. Mary of the Angels and Martyrs in Rome presenting a vocal-instrumental concert of Baroque music with original instruments and copies of ancient originals.<\/p>\n\n

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Sabato 29 November 2025Cappella dei Certosini Basilica di Santa Maria degli Angeli e dei Martiri<\/h3>\n\n

Via Cernaia 9 – Rome<\/strong>Admission: 7:30 p.m.<\/strong><\/p>\n\n

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Albicastro Ensemble Suisse<\/h3>\n\n
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  • Rosa Maria Meister<\/strong> mezzo-soprano<\/li>\n\n\n\n
  • Alfredo Totti<\/strong> Bass<\/li>\n\n\n\n
  • Alba Fresno<\/strong> violas da gamba<\/li>\n\n\n\n
  • Alma Tedde<\/strong> baroque cello<\/li>\n\n\n\n
  • Jonathan Rubin<\/strong> theorbo<\/li>\n<\/ul>\n\n

    \u00a0<\/p>\n\n

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    Cor mundum<\/h4>\n\n

    Ecclesiastical Concerto for Singing, Bass and Basso continuoGiovanni Paolo Cima<\/strong> (ca. 1570 – 1630)<\/p>\n\n

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    \n O quam suavis<\/strong>\n <\/h4>\n\n

    Ecclesiastical Concerto for Singing, Bass and Basso continuoLodovico Grossi Da Viadana<\/strong> (1564 – 1627)<\/p>\n\n

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    Quam pulchrae sunt<\/h4>\n\n

    Mottetto a due for Canto, Bass and Basso continuoGiovanni Andrea Cima<\/strong> (ca. 1580 – after 1627)<\/p>\n\n

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    Saravanda air in various matches<\/h4>\n\n

    (Intavolatura 1623)Tiorba solaAlessandro Piccinni<\/strong> (1566 – 1638)<\/p>\n\n

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    De brillante hermosura<\/h4>\n\n

    Cantada sola con bajones, al Santissimo SacramentoCanto, Cello, Viola da gamba and Basso continuoJoaqu\u00edn Garc\u00eda<\/strong> (1710 – 1756)<\/p>\n\n

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    Deh why can’t I To delights to joys<\/h4>\n\n

    Due canzonette a due vociSoprano, Basso and Basso continuoGiulio Romano<\/strong> ( – after 1613)<\/p>\n\n

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    XXIII Canzon a 2 Bassi<\/h4>\n\n

    for Viola da gamba, Cello and Basso continuoBartolomeo De Selma Y Salaverde<\/strong> (1580 – 1640)<\/p>\n\n

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    Woman we are guilty of death<\/h4>\n\n

    Sonetto for Solo Bass and Basso continuoGirolamo Frescobaldi<\/strong> (1583 – 1643)<\/p>\n\n

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    Eyes that thirst for you pompous \/Beautiful eyes I do not feel<\/h4>\n\n

    Aria and song for two voices and basso continuoGirolamo Frescobaldi<\/strong> (1583 – 1643)<\/p>\n\n

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    Cello sonata in G minor RV 42<\/h4>\n\n

    Largo – Andante – Allegrofor Cello and Basso continuoAntonio Vivaldi<\/strong> (1678 – 1741)<\/p>\n\n

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    A le VioleOn graceful nymphs<\/h4>\n\n

    Canzonette a due voci e Basso continuoBiagio Marini<\/strong> (1594 – 1663)<\/p>\n\n

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    Free admission<\/strong> – Collect at the exit to support the activities ofAsem International<\/strong> The event was supported by GA-Alliance<\/strong><\/p>\n<\/div>\n